Для любителей инструментальных оркестров и Поля Мориа в частности |
||
ГЛАВНАЯ МАГАЗИН ССЫЛКИ |
МИРЕЙ МАТЬЕb. 24 July 1946, Avignon, France. It was convenient, if inaccurate, for the media to brand her a second Edith Piaf, but Mathieu shared a similar poor upbringing. One of 13 children of a stone mason, she used some of her factory wages for singing lessons, until she was noticed by one of Johnny Hallyday's former managers, Johnny Stark. He groomed her for stardom via an ‘urchin’ hair style by Elrhodes and, from celebrated couturier Louis Feraud, trademark red-and-black stage costumes. A showcase at the Paris Olympia led to a deal with Barclay Records and a run of hits that began with "Mon Credo" in 1965. After this and later singles such as "C'Est Ton Nom," "Qu'Elle Est Belle" and "Funambule" sold over a million collectively within Europe alone, the organization directed its gaze overseas. While a domestic television spectacular (directed by Franзois Reichenbach) served as a grassroots holding operation, the artist's appearances on networked US shows (hosted, respectively, by Ed Sullivan and Andy Williams) established vital links with that lucrative market. During the same lengthy world tour, Mathieu was even heard in concert in Moscow where she sang "Quand Fera-T-Il Jour Comrade," Gaston Bonheur's tempestuous anthem commemorating the October Revolution. Her impact on Britain was less tangible, though healthy sales of her 1968 album indicated a deeper groundswell of support than was evidenced by a solitary entry in the singles Top 30 the previous Christmas with a French interpretation of Engelbert Humperdinck's "The Last Waltz." Later, Humperdinck stole UK chart honours with his cover of Mathieu's "Les Bicyclettes De Belsize." Both vocalists were featured on 1972's TOP STAR FESTIVAL, a charity compilation of international entertainers on which Mirielle performed "Where Do I Begin" (from Love Story)—a rare genuflexion towards English-speaking listeners from one who had achieved global fame with a recorded repertoire which was invulnerably French, no matter what language the actual lyrics she sang. ЭНГЕЛЬБЕРТ ХАМПЕРДИНКb. Arnold George Dorsey, 2 May 1936, Madras, India. Originally known as Gerry Dorsey, this singer had attempted to achieve mainstream success in the UK during the '50s. He was a featured artist on the television series 'Oh Boy', toured with Marty Wilde and recorded a failed single, "I'll Never Fall In Love Again." It was during this period that he first met Gordon Mills, a singer in the Viscounts who later moved into songwriting and management. By 1963, Dorsey's career had hit rock bottom. The beat boom hampered his singing career and to make matters worse he fell seriously ill with tuberculosis. Mills, meanwhile, was beginning to win international success for Tom Jones and in 1967 decided to help his old friend Gerry Dorsey. Soon after, the singer was rechristened Engelbert Humperdinck, a name inspired by the composer of Hansel And Gretel, and relaunched as a balladeer. His first single for Decca "Dommage Dommage" failed to chart, but received considerable airplay. There was no mistake with the follow-up, "Release Me," which sold a million copies in the UK alone, dominated the number 1 spot for five weeks and, most remarkably, prevented the Beatles from reaching the top with the magnificent "Penny Lane"/"Strawberry Fields Forever." Humperdinck's follow-up "There Goes My Everything" climbed to number 2 in the UK and by the end of the summer he was back at the top for a further five weeks with "The Last Waltz." The latter once again sold in excess of a million copies in the UK alone. In a year dominated by psychedelia and experimentation in rock, Humperdinck was the biggest selling artist in England. His strong vocal and romantic image ensured regular bookings and brought a further series of UK Top 10 hits including "Am I That Easy To Forget," "A Man Without Love," "Les Bicyclettes De Belsize," "The Way It Used To Be" and "Winter World Of Love." Although he faded as a hit-making artist after the early '70s, his career blossomed in America where he was a regular on the lucrative Las Vegas circuit. Like his stablemate Tom Jones he went through a long period without recording, which ended in 1987 with the release of a comeback album, REMEMBER I LOVE YOU, which featured a duet with Gloria Gaynor. In 1990, it was estimated that he had earned 58 Gold Records, 18 Platinum albums, and several Grammy Awards He was still selling plenty of albums, and filling venues such as London's Royal Albert Hall, well into the '90s. |
ДИСКОГРАФИЯ
CHANTE PIAF (1994)
THE COMPLETE COLLECTION AND THEN SOME... (1992) by Barry Manilow
THE TALES OF CRI-CRI by Placido Domingo
EMBRUJO ХАМПЕРДИНК
GREATEST SONGS (1995)
YOU ARE SO BEAUTIFUL (1995)
AT HIS BEST (1994)
QUIEREME MUCHO (1993)
LOVE IS THE REASON (1991)
A MAN WITHOUT LOVE
A MERRY CHRISTMAS WITH ENGELBERT HUMPERDINCK
ALL OF ME - IN CONCERT
ALL-TIME FAVORITE LOVE SONGS
BEST OF ENGELBERT HUMPERDINCK (PAIR)
CHRISTMAS TYME
DON'T YOU LOVE ME ANYMORE
GREATEST HITS
RELEASE ME - 12 GREAT SONGS
THE NEW GREATEST HITS COLLECTION
YOU AND YOUR LOVER
TWELVE POINT BUCK/LITTLE BABY BUNTIN' by Killdozer
STEP INTO MY LIFE
MAGIC NIGHT
HELLO OUT THERE
HELLO OUT THERE
CHRISTMAS EVE |
@2002 Александр Поленов Санкт-Петербург |
Design by Alex Updated: 04.03.2002 |